Hensel
For the longest time, the differences in weight, size, power, and recycling times between speedlights and monolights were glaring, but this is no longer the case. Technologically, speedlights and monolights have become increasingly sophisticated, most notably in their respective TTL and wireless capabilities. At the same time, smaller and lighter monolights
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are
Many photographers like to work with available light or “daylight.” Daylight, at the right time of day and under the right conditions, can make for beautiful lighting. However, it can be controlled only to a point. Photographers often want complete control over shaping the light. This leads to shooting in a studio environment with a studio lighting kit.
Using a 2-monolight setup.
Model: Baron Jackson
