Sanken
Wireless microphones are an incredibly popular and convenient solution to many of the problems that come with traditional wired setups: they require far less cabling, and that means fewer issues with shorted wiring, lowered chances of cable-related tripping, and a higher number on the “Days Since Last Incident” sign. While they can be a bit more difficult to onboard, once the system is up and running, audio engineers and A/V technicians appreciate the fast setup time and decreased storage space that wireless mics afford. So, with all the
Whit Norris is a professional film sound mixer with a filmography ranging from work on Fast Five to Anchorman 2. Norris took some time off on the set of his current project, the forthcoming Vince Vaughn film, Term Life to talk about gear, and share some great tips and experiences from his expansive filmography.
On your IMDB page, you have a fairly prolific filmography listed. When did you realize sound for film was your passion, and how did you get your start as a professional?
When I was in college, I always had a passion for sound,
Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. These microphones feature a distinctive long and vented “interference tube,” which helps reject sound from the sides and rear and focus on the sounds directly in front of them. They are very sensitive and detailed sounding, and because of their