Canon has just announced a new telephoto-zoom lens that covers a range of oft-used longer focal lengths and brings with it the quality and usability of their L series lenses: the EF 200-400mm f/4L IS USM Extender 1.4x lens.
The recently introduced Sigma 120-300mm f/2.8 DG OS HSM lens is the first lens to be part of Sigma’s Global Vision Sports line, and as such, strives to be a highly precise and optically sound lens that can function well in fast-paced situations.
Sigma has announced a very interesting new fast-aperture zoom lens. The 18-35mm f/1.8 DC HSM lens, which is available for Canon, Nikon and Sigma mounts, is an APS-C format lens with an exceptionally fast maximum aperture of f/1.8 throughout the zoom range.
Lens selection is a highly personal choice for most photographers. Client base, shooting style and cost all factor in directly when you're deciding how to build a kit intelligently. Wedding photographers need a diverse assortment, given the expectation that they must cover such a broad range of subject matter in one day’s work.
Fujifilm has just announced a new lens for their X series cameras, the XF 55-200mm f/3.5-4.8 R LM OIS. This new lens stands as the longest lens in the current XF lineup and picks up where their first zoom lens, the XF 18-55mm f/2.8-4 R LM OIS, leaves off.
When piecing together your lens kit for photographing a wedding, a number of ideas should be running through your head in regard to the variety of imagery the clients require and the types of situations that can occur throughout the event. While it would be ideal to photograph a wedding with a single, do-it-all lens, the simple fact is that this is not typically possible.
When photographing a wedding, a variety of lens focal lengths is essential to "get the shot" from different vantage points and in different scales and compositions. Zoom lenses make this task a bit easier, due to their coverage of numerous focal lengths in a single lens barrel. A macro lens can also serve as an ideal prime portrait lens. Tamron’s recent additions to their lens lineup meet these needs.
Rokinon has released a manual focus 24mm f/3.5 Tilt-Shift lens for Canon, Nikon and Sony Alpha full-frame DSLR cameras. Tilt-shift lenses provide the capability to control perspective and to correct the convergence of lines within the frame. They also offer depth-of-field control without the need for wide aperture settings and exacting selective-focus placement.
Nikon has announced not only a new version of its wonderful 80-400mm f/4.5-5.6 lens, but three new point-and-shoot cameras, including the new flagship COOLPIX A digital camera with a large DX-format sensor.
Sigma has announced three new lenses for Micro Four Thirds and Sony E-mount cameras. The three lenses are part of their Art line, which are generally prime lenses with wide maximum apertures, providing sharp, high-contrast images. In the case of these three lenses for mirrorless cameras, the generalization holds true.
Sony has just released several updates and new models in their lines of photographic equipment. Two interchangeable-lens cameras, new lenses and Cyber-shot point-and-shoots are available. These cameras build upon Sony’s extensive history of making cameras with high imaging performance that are enjoyable to use regularly.
Fujifilm has recently released two more lenses to further round out their expanding lineup of XF lenses for use on the X series interchangeable-lens cameras. These lenses, the XF 14mm f/2.8 R and the XF 18-55mm f/2.8-4 R LM OIS, complement the existing three prime XF lenses and add more options and functionality to the entire system.
The NEX-VG30 is Sony's latest iteration in a very popular series of large-sensor Handycams that feature interchangeable E-mount lenses. The main innovation of the VG30 is the zoom rocker, which executes the wide-to-telephoto action of the new 18-200mm f/3.5-6.3 Power Zoom lens that's available as part of a kit with this camcorder.
In this video Mike Bubolo, Senior Technical Representative for Sony, introduces Sony’s newest cameras from the fall 2012 season. We're treated to an exposition of the NEX-5R, NEX-6 and SLT-A99 cameras, as well as a host of new lenses in both the A and E mount types, and some other accessories, too.
Sony’s new NEX-VG900 is the first prosumer camcorder with a full-frame image sensor and an interchangeable lens mount. Mia McCormick demonstrates many of the camera’s features and discusses a few lens options that should help users take advantage of the large sensor.
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Canon has just announced a new telephoto-zoom lens that covers a range of oft-used longer focal lengths and brings with it the quality and usability of their L series lenses: the EF 200-400mm f/4L IS USM Extender 1.4x lens.
The recently introduced Sigma 120-300mm f/2.8 DG OS HSM lens is the first lens to be part of Sigma’s Global Vision Sports line, and as such, strives to be a highly precise and optically sound lens that can function well in fast-paced situations. 
Sigma has announced a very interesting new fast-aperture zoom lens. The 18-35mm f/1.8 DC HSM lens, which is available for Canon, Nikon and Sigma mounts, is an APS-C format lens with an exceptionally fast maximum aperture of f/1.8 throughout the zoom range.
Lens selection is a highly personal choice for most photographers. Client base, shooting style and cost all factor in directly when you're deciding how to build a kit intelligently. Wedding photographers need a diverse assortment, given the expectation that they must cover such a broad range of subject matter in one day’s work.
Fujifilm has just announced a new lens for their X series cameras, the XF 55-200mm f/3.5-4.8 R LM OIS. This new lens stands as the longest lens in the current XF lineup and picks up where their first zoom lens, the XF 18-55mm f/2.8-4 R LM OIS, leaves off.
When piecing together your lens kit for photographing a wedding, a number of ideas should be running through your head in regard to the variety of imagery the clients require and the types of situations that can occur throughout the event. While it would be ideal to photograph a wedding with a single, do-it-all lens, the simple fact is that this is not typically possible.
When photographing a wedding, a variety of lens focal lengths is essential to "get the shot" from different vantage points and in different scales and compositions. Zoom lenses make this task a bit easier, due to their coverage of numerous focal lengths in a single lens barrel. A macro lens can also serve as an ideal prime portrait lens. Tamron’s recent additions to their lens lineup meet these needs.
Rokinon has released a manual focus 24mm f/3.5 Tilt-Shift lens for Canon, Nikon and Sony Alpha full-frame DSLR cameras. Tilt-shift lenses provide the capability to control perspective and to correct the convergence of lines within the frame. They also offer depth-of-field control without the need for wide aperture settings and exacting selective-focus placement.
Sigma has announced three new lenses for Micro Four Thirds and Sony E-mount cameras. The three lenses are part of their Art line, which are generally prime lenses with wide maximum apertures, providing sharp, high-contrast images. In the case of these three lenses for mirrorless cameras, the generalization holds true.
Sony has just released several updates and new models in their lines of photographic equipment. Two interchangeable-lens cameras, new lenses and Cyber-shot point-and-shoots are available. These cameras build upon Sony’s extensive history of making cameras with high imaging performance that are enjoyable to use regularly.
Fujifilm has recently released two more lenses to further round out their expanding lineup of XF lenses for use on the X series interchangeable-lens cameras. These lenses, the XF 14mm f/2.8 R and the XF 18-55mm f/2.8-4 R LM OIS, complement the existing three prime XF lenses and add more options and functionality to the entire system.
The NEX-VG30 is Sony's latest iteration in a very popular series of large-sensor Handycams that feature interchangeable E-mount lenses. The main innovation of the VG30 is the zoom rocker, which executes the wide-to-telephoto action of the new 18-200mm f/3.5-6.3 Power Zoom lens that's available as part of a kit with this camcorder.
In this video Mike Bubolo, Senior Technical Representative for Sony, introduces Sony’s newest cameras from the fall 2012 season. We're treated to an exposition of the NEX-5R, NEX-6 and SLT-A99 cameras, as well as a host of new lenses in both the A and E mount types, and some other accessories, too.
Sony’s new NEX-VG900 is the first prosumer camcorder with a full-frame image sensor and an interchangeable lens mount. Mia McCormick demonstrates many of the camera’s features and discusses a few lens options that should help users take advantage of the large sensor.
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