This B&H video is like a pleasant cruise down the Hudson River. On second thought, it is a pleasant cruise down the Hudson River (then up the East River and around Manhattan), with photographer Moose Peterson and more than 400 photographers, as they all enjoy a beautiful day capturing the sights of the city—from the water.
In this video professional landscape, wildlife and aviation photographer, Moose Peterson, talks about what attracts him to photography and what he looks for when shooting. Later in the video he talks about equipment choices and how to choose the proper tools depending on your style of photographing.
In this video, landscape photographer Miles Morgan shares essential information and tips on how to create successful landscape photographs. Ranging from how to prepare for shooting to some post-production techniques, Morgan provides in-depth details about his process.
Even though the leaves are down and your frost-laden lawn makes crunchy sounds when you cross it in the morning, that doesn’t mean it’s time to pack your cameras away until March or April; if you do, you’re going to miss some fine picture-taking opportunities.
One of the broadest categories of lenses we sell at B&H is wide and extra-wide-angle lenses. As for defining the parameters of wide and ultra wide, the safest definition of a standard wide-angle lens would be a lens with an angle of view between 62° and 84°.
With the exception of the filters used for black-and-white photography (see the article Black & White Landscape Photography) the numbers of filters used for capturing color landscapes are few, mostly due to the fact that, in digital imaging, many white balance and filter effects can be addressed in camera.
Though I was raised and grazed on film I have no qualms admitting I haven’t shot a roll of the stuff since August 2001 (with a Nikon N90 and Fujifilm Astia in case you’re curious). I appreciate film, respect film and certainly miss the disciplined aspects of shooting film, but at the end of the day I’m perfectly happy with digital imaging, warts and all.
Seascapes are about sky, water, the physical dynamics of the points at which they meet, reflections and mirror imaging and most of all, the unique qualities of moisture-filtered light that one can only find where sky meets water.
Designed with everyday users in mind, Manfrotto’s all metal MK390-series tripods are lightweight, sturdy tripods designed for use with compact digital cameras, super zooms, camcorders and compact DSLR systems.
Back in the early days of photography, panoramic photographs, which by definition are wide-field, unbroken sweeps of scenery, were captured using cameras with pivoting lens turrets that “painted” the image across a wide sheet of film as the lens rotated from left to right (or vice versa).
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This B&H video is like a pleasant cruise down the Hudson River. On second thought, it is a pleasant cruise down the Hudson River (then up the East River and around Manhattan), with photographer Moose Peterson and more than 400 photographers, as they all enjoy a beautiful day capturing the sights of the city—from the water.
Even though the leaves are down and your frost-laden lawn makes crunchy sounds when you cross it in the morning, that doesn’t mean it’s time to pack your cameras away until March or April; if you do, you’re going to miss some fine picture-taking opportunities.
One of the broadest categories of lenses we sell at B&H is wide and extra-wide-angle lenses. As for defining the parameters of wide and ultra wide, the safest definition of a standard wide-angle lens would be a lens with an angle of view between 62° and 84°.
With the exception of the filters used for black-and-white photography (see the article Black & White Landscape Photography) the numbers of filters used for capturing color landscapes are few, mostly due to the fact that, in digital imaging, many white balance and filter effects can be addressed in camera.
Though I was raised and grazed on film I have no qualms admitting I haven’t shot a roll of the stuff since August 2001 (with a Nikon N90 and Fujifilm Astia in case you’re curious). I appreciate film, respect film and certainly miss the disciplined aspects of shooting film, but at the end of the day I’m perfectly happy with digital imaging, warts and all. 
Seascapes are about sky, water, the physical dynamics of the points at which they meet, reflections and mirror imaging and most of all, the unique qualities of moisture-filtered light that one can only find where sky meets water.
Designed with everyday users in mind, Manfrotto’s all metal MK390-series tripods are lightweight, sturdy tripods designed for use with compact digital cameras, super zooms, camcorders and compact DSLR systems. 
Back in the early days of photography, panoramic photographs, which by definition are wide-field, unbroken sweeps of scenery, were captured using cameras with pivoting lens turrets that “painted” the image across a wide sheet of film as the lens rotated from left to right (or vice versa).
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