Canon has just announced a new telephoto-zoom lens that covers a range of oft-used longer focal lengths and brings with it the quality and usability of their L series lenses: the EF 200-400mm f/4L IS USM Extender 1.4x lens.
The recently introduced Sigma 120-300mm f/2.8 DG OS HSM lens is the first lens to be part of Sigma’s Global Vision Sports line, and as such, strives to be a highly precise and optically sound lens that can function well in fast-paced situations.
Sigma has announced a very interesting new fast-aperture zoom lens. The 18-35mm f/1.8 DC HSM lens, which is available for Canon, Nikon and Sigma mounts, is an APS-C format lens with an exceptionally fast maximum aperture of f/1.8 throughout the zoom range.
Experienced wedding photographers know it’s essential to use a variety of different lenses to create a compelling visual document that sets their work apart, enhances their professional reputation, and will be treasured by their clients. Photographers using full-frame and APS-C-format Sony Alpha DSLRs now have an impressive optical array.
The lens market is a broad one, and building a collection for wedding work is not always easy. After factoring-in your shooting style with opinions from professional colleagues and resources, it becomes clearer as to what kind of quality, long-lasting glass you’ll want in your kit.
Panasonic has just announced a new member to their lineup of mirrorless digital cameras: the Lumix DMC-G6. This camera succeeds the G5 and adds to it an array of performance and imaging enhancements, many of which are focused around improved movie recording and the integration of built-in wireless connectivity.
Lens selection is a highly personal choice for most photographers. Client base, shooting style and cost all factor in directly when you're deciding how to build a kit intelligently. Wedding photographers need a diverse assortment, given the expectation that they must cover such a broad range of subject matter in one day’s work.
Fujifilm has just announced a new lens for their X series cameras, the XF 55-200mm f/3.5-4.8 R LM OIS. This new lens stands as the longest lens in the current XF lineup and picks up where their first zoom lens, the XF 18-55mm f/2.8-4 R LM OIS, leaves off.
When piecing together your lens kit for photographing a wedding, a number of ideas should be running through your head in regard to the variety of imagery the clients require and the types of situations that can occur throughout the event. While it would be ideal to photograph a wedding with a single, do-it-all lens, the simple fact is that this is not typically possible.
When photographing a wedding, a variety of lens focal lengths is essential to "get the shot" from different vantage points and in different scales and compositions. Zoom lenses make this task a bit easier, due to their coverage of numerous focal lengths in a single lens barrel. A macro lens can also serve as an ideal prime portrait lens. Tamron’s recent additions to their lens lineup meet these needs.
Rokinon has released a manual focus 24mm f/3.5 Tilt-Shift lens for Canon, Nikon and Sony Alpha full-frame DSLR cameras. Tilt-shift lenses provide the capability to control perspective and to correct the convergence of lines within the frame. They also offer depth-of-field control without the need for wide aperture settings and exacting selective-focus placement.
A macro lens is an important tool for a wedding photographer. Perhaps not as crucial as capturing the kiss at the altar or the daddy-daughter dance, a close-up of the rings, flowers or candle being lit is considered part of the standard package. These moments may very well be situated in less than ideal lighting conditions, so a fast macro lens is needed to guarantee you get that shot.
Nikon has announced not only a new version of its wonderful 80-400mm f/4.5-5.6 lens, but three new point-and-shoot cameras, including the new flagship COOLPIX A digital camera with a large DX-format sensor.
Wedding photography has become an extremely popular and lucrative specialty. First and foremost, a wedding is a grand, unrepeatable, emotionally charged event at which expectations run high, and second best won't do. Being a wedding photographer requires dedication and talent, but having the right equipment is crucial.
Sigma has announced three new lenses for Micro Four Thirds and Sony E-mount cameras. The three lenses are part of their Art line, which are generally prime lenses with wide maximum apertures, providing sharp, high-contrast images. In the case of these three lenses for mirrorless cameras, the generalization holds true.
items - 
Canon has just announced a new telephoto-zoom lens that covers a range of oft-used longer focal lengths and brings with it the quality and usability of their L series lenses: the EF 200-400mm f/4L IS USM Extender 1.4x lens.
The recently introduced Sigma 120-300mm f/2.8 DG OS HSM lens is the first lens to be part of Sigma’s Global Vision Sports line, and as such, strives to be a highly precise and optically sound lens that can function well in fast-paced situations. 
Sigma has announced a very interesting new fast-aperture zoom lens. The 18-35mm f/1.8 DC HSM lens, which is available for Canon, Nikon and Sigma mounts, is an APS-C format lens with an exceptionally fast maximum aperture of f/1.8 throughout the zoom range.
The lens market is a broad one, and building a collection for wedding work is not always easy. After factoring-in your shooting style with opinions from professional colleagues and resources, it becomes clearer as to what kind of quality, long-lasting glass you’ll want in your kit.
Panasonic has just announced a new member to their lineup of mirrorless digital cameras: the Lumix DMC-G6. This camera succeeds the G5 and adds to it an array of performance and imaging enhancements, many of which are focused around improved movie recording and the integration of built-in wireless connectivity.
Lens selection is a highly personal choice for most photographers. Client base, shooting style and cost all factor in directly when you're deciding how to build a kit intelligently. Wedding photographers need a diverse assortment, given the expectation that they must cover such a broad range of subject matter in one day’s work.
Fujifilm has just announced a new lens for their X series cameras, the XF 55-200mm f/3.5-4.8 R LM OIS. This new lens stands as the longest lens in the current XF lineup and picks up where their first zoom lens, the XF 18-55mm f/2.8-4 R LM OIS, leaves off.
When piecing together your lens kit for photographing a wedding, a number of ideas should be running through your head in regard to the variety of imagery the clients require and the types of situations that can occur throughout the event. While it would be ideal to photograph a wedding with a single, do-it-all lens, the simple fact is that this is not typically possible.
When photographing a wedding, a variety of lens focal lengths is essential to "get the shot" from different vantage points and in different scales and compositions. Zoom lenses make this task a bit easier, due to their coverage of numerous focal lengths in a single lens barrel. A macro lens can also serve as an ideal prime portrait lens. Tamron’s recent additions to their lens lineup meet these needs.
Rokinon has released a manual focus 24mm f/3.5 Tilt-Shift lens for Canon, Nikon and Sony Alpha full-frame DSLR cameras. Tilt-shift lenses provide the capability to control perspective and to correct the convergence of lines within the frame. They also offer depth-of-field control without the need for wide aperture settings and exacting selective-focus placement.
A macro lens is an important tool for a wedding photographer. Perhaps not as crucial as capturing the kiss at the altar or the daddy-daughter dance, a close-up of the rings, flowers or candle being lit is considered part of the standard package. These moments may very well be situated in less than ideal lighting conditions, so a fast macro lens is needed to guarantee you get that shot.
Wedding photography has become an extremely popular and lucrative specialty. First and foremost, a wedding is a grand, unrepeatable, emotionally charged event at which expectations run high, and second best won't do. Being a wedding photographer requires dedication and talent, but having the right equipment is crucial.
Sigma has announced three new lenses for Micro Four Thirds and Sony E-mount cameras. The three lenses are part of their Art line, which are generally prime lenses with wide maximum apertures, providing sharp, high-contrast images. In the case of these three lenses for mirrorless cameras, the generalization holds true.
The Professional's Source
800.606.6969 / 212.444.6615