Microphones

You can learn a lot about audio by recording your own music (or a friend’s music), and by volunteering to assist a local sound engineer. However, attending a formal audio school can also really help you learn the nuts and bolts of sound.

Your first day of film school is right around the corner and maybe you’re already thinking about what kind of gear you’ll need to make the most of it.  Sure, you’ll most likely get access to a lot of great equipment through your film school, but what if you want to practice framing a shot, lighting an interview subject, or capturing sound on your own? 

When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field. 

Sometimes the design of production equipment is perfected early on, and even several decades’ worth of advancements in technology does little to improve its overall quality. 

Avantone is an audio-equipment manufacturer that, in its own words, “bring(s) to market the things we see as missing in the industry. This can be as simple as a certain price point we feel should be met to give excellent quality for reasonable pricing..." 

The MiC from Apogee clearly demonstrates that advances in technology can deliver exceptional quality at ever lower price points. But that’s not the main feature of this condenser microphone. 

Miking drums is one of the trickier challenges in music recording and live sound, but it’s also a very tantalizing one. Audio enthusiasts approach the capture, control and shaping of drum sounds with the same conviction that Jacques Cousteau employed when exploring the depths of the seas.

Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. 

A sports photographer needs a different set of tools than someone who shoots elementary-school portraits, and similarly, a wedding DJ often relies on different equipment than other kinds of DJs. 

When you’re operating a boompole to capture dialog for a video or film production indoors, it’s often best not to use a shotgun microphone. The kind of microphone that you want to use is a small diaphragm condenser with either a hypercardioid or a supercardioid pick-up pattern. More specifically, there are only a handful of microphone models that are preferred for this task.

Barry Manilow gently sings “Copacabana” in the background as you pick up a jar of mayonnaise, when suddenly the jar slips from your fingertips and crashes to the supermarket floor. An announcement blares over the soft music: “We need someone to clean up Aisle Nine!”

Røde is the undisputed leader in on-camera microphone technology, and its new Stereo VideoMic Pro is the most lightweight, compact and superior sounding camera-mountable stereo microphone the company has ever built.

Blue is a maker of fine microphones, well known for their excellent sound quality and unique industrial design. In 2011, Blue released an affordable studio microphone with a standard, analog XLR output called the Blue Spark.

Blue has a reputation for making quality microphones with visually striking designs, and the freshly announced Tiki USB Microphone is no exception. The Tiki is less than 3" long, and it connects directly to the USB port of your Mac or PC.

Let’s face it: aside from getting together with family and friends to celebrate the holiday season, the neatest part of the holidays is the exchange of gifts. And if you’re reading this article, there’s a pretty good chance you just received a new camera, a new lens, a flash or some sort of photo-related goodie as a holiday gift (hopefully something you have been pining for).

Syndicate content