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Doug Guerra takes the LiveU Solo Live Stream Encoder on a real-world test. This video encoder is a professional, reliable tool for any live event, because its size and simplicity make it a powerful streaming device.
Would you add this to your live streaming setup? Tell us in the Comments section, below.
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Doug Guerra puts the HP Reverb G2 to the test in this hands-on review. This VR headset boasts 4320 x 2160 total resolution, dual 2.89" LCD screens, 90 Hz refresh rate, 114° field of view, and more. What are your thoughts on this virtual reality headset? Tell us about them or ask us questions in the Comments section, just below.
by Steven Gladstone · Posted
I had the opportunity to work with the Anton/Bauer Titon Base Battery Kit for the Blackmagic Pocket 4K and 6K cameras and jumped at the chance. The Titon Base battery has a QR (Quick Release) plate that allows you to mount your camera on it for a tight shooting package with extended run time. I’m accustomed to using external batteries, since I started with Aaton and ARRI SR film cameras, as well as ENG cameras and
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Jake tests out the Hollyland Mars 400S PRO SDI/HDMI Wireless Video Transmission System, which is perfect for livestreaming and filmmaking. This wireless system transmits up to 1080p60 SDI or HDMI video and 400' line-of-sight to receiver (300' to Hollyview app), allowing you and your clients to conveniently and comfortably watch a video’s production.
Learn more about the Hollyland Mars 400S PRO SDI/HDMI Wireless Video Transmission System at
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Jake Estes takes the Zhiyun CRANE 3S Pro out for a spin—literally! This camera stabilizer boasts a large 14.3-lb payload, an updated axis-locking system, external power input, and the ViaTouch 2.0 motion control system, connectivity with the Zy Play App and more. It can also accommodate a wide range of cinema camera sizes by utilizing a separately available extension module to extend the horizontal arm, which is now positioned
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See how the brand new ARRI Signature Zooms were integrated into the emerging world of LED Video Wall and Virtual Production for a fashion shoot with the set design rendered in real time via Epic Games’ Unreal Engine.
Have you used ARRI Signature Zooms on your film or video production? Tell us about your experience in the Comments, below!
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Every filmmaker has their own needs on set, so which Canon camera is right for you? In this cinema camera comparison, Doug takes a look at the Canon C70, the Canon C300 Mark III, and the Canon C500 Mark II, as well as rigging options for the
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Jake reviews the new Autel EVO II 8K Drone, which builds upon the success of the EVO I with improvements in every way. With a variety of resolutions and frame rates (such as 25 fps 8K), you can achieve the cinematic drone footage you’ve always wanted. This drone also boasts a video ISO range of 100 to 6400, a stills ISO range of 100 to 3200, the ability to record HDR video at up to Ultra HD 4K resolution, phase detection autofocus,
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There is a new cinema zoom lens in B&H's inventory—the Sony FE C 16-35mm T3.1 G—and we are testing it on the Sony PXW FX6 cinema camera. This lens has been designed for filmmakers and video professionals, combining traditional cinema lens operability with the benefits of the Sony E Mount, which allows for autofocus and precise manual focus control. The 16-35mm offers superior sharpness, excellent resolution, a constant aperture of T3.1,
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In this video review, Doug Guerra explores the features of the Sony PXW FX6, a full-frame 4K cinema camera. This compact camera sits between the Sony FX9 and a7S III and was built for filmmakers who demand light, mobile tools that don’t sacrifice image quality or control. The FX6 is versatile, allowing you to use it on a variety of shoots—from gimbal to drone to documentary work.
Features include a 10.2MP full-frame BSI CMOS Sensor, 15+ stops
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The RED KOMODO 6K Digital Cinema Camera marks a first for many features never seen before in a RED DIGITAL CINEMA camera. It features a built-in LCD screen, 19.9MP Super35 Global Shutter CMOS, phase-detect autofocus system, 16+ stops dynamic range, the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production, and more. Check out Doug
by Steven Gladstone · Posted
The Sachtler aktiv SpeedLevel tripod system with SpeedSwap Stud is a quick release method for mounting your tripod head on legs. However, there is so much more that the aktiv system brings to working with tripods and fluid heads, that the word “jaw-dropping” may not be enough to cover it. Fast, simple to use, and smart, the Sachtler aktiv system is not just a new mounting system for a tripod head and legs, it also has a separate mounting base for working with sliders or getting lock-off shots. The aktiv system expands the capabilities of
by Shawn C. Steiner · Posted
Without question, the Sony a7S III is a mirrorless camera meant for video. Impressive specs and image quality are wonderful, but it has the same problems for video as every other mirrorless camera: its form factor is better suited to stills. One solution is to get a cage, such as this Master Kit from SmallRig that I was able to take for a spin.
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Jake tests out the GoPro HERO9 Black, which offers more power, clarity, and stability than its predecessor, the HERO8 Black. While it maintains the HERO8’s features, such as a waterproof housing, 1080p livestreaming, night-lapse, digital lenses, multi-language voice control, and SuperPhoto + HDR, the HERO9 boasts 5K video, HyperSmooth 3.0, in-camera horizon leveling, cloud recording, portrait or landscape orientation modes, and capture scheduling