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1,321 Views· Posted
Cinematographer Mark Raker gets his hands on Sigma’s FF high-speed prime focal lenses and pairs them with a Canon C700 shooting at 5.9K and a Sony A7S II shooting at 4K. With specs like a 95mm front diameter, 0.8 moduling,
by Steven Gladstone · Posted
Monitors are flawed. They display limited color space, usually sRGB (although newer ones can display a wider color gamut), they age and change over time, and different backlight technologies will affect how the images are displayed. Let us not forget that the viewing conditions make a big difference in how we perceive, and need to be considered. For text, this isn't important, but for the visual media, this can make a huge difference. I remember the analog days of trying to calibrate the field monitor by eye, using the various test patterns
28,155 Views· Posted
Doug from B&H checks out Sony’s latest APS-C camera, the a6400. With features like 24.2 megapixels, 4K @ 30fps, the world’s fastest autofocus system (at .02 seconds), and the same color processing and tech from other models like the a9 and a7RIII, the a6400 is a powerful mirrorless camera for all your shooting needs. We hope you enjoy the video, and invite you to view the wide selection of other
by Steven Gladstone · Posted
I recently had the opportunity to work with the SmallHD 5.5" FOCUS OLED On-Camera Monitor for HDMI. What you need to know is swipe left, swipe right, swipe up, and swipe down. It takes a little time to figure it out—at first I was swiping too fast, but the touchscreen interface replaces front-panel buttons, switches, and knobs. It is a compact unit, sleek and smartly designed. I already own a 7" on-camera monitor from
by Steven Gladstone · Posted
In Part 1 of this article, I discussed my experience using the RED GEMINI camera brain with 5K S35 sensor and I mentioned that this was really my first time using a RED camera, shooting raw, and using RED CINE-X PRO software to output. There is a bit of a learning curve and, to be truthful, it is a
by Steven Gladstone · Posted
If you are reading this, you probably have two main questions, so I'm going to cut right to the chase and address them both. First, the RED DSMC2 GEMINI 5K S35, which has a 5K Super35mm sensor, is a great camera; I enjoyed working with it and would do so again with no reservations. Second, since GEMINI is the astrological sign of the Twins, I would guess this camera’s name has something to do with the sensor, which features
by Shawn C. Steiner · Posted
Long known for solid, stable sliders, Rhino wants to make smooth camera movement much easier for everyday use and travel, with the RŌV series. Taking all the brilliance of its EVO sliders and Motion controllers and condensing it down into a single unit—with the added benefit of Bluetooth connectivity—Rhino created something truly amazing. Going hands-on with the RŌV made it clear to me that it is one of the most intuitive, portable, and
36,335 Views· Posted
Jake Estes, from B&H, explores the Atomos Ninja 5, which can record high-resolution 4K in DCI or UHD formats up to 60 fps. Features such as a color-calibrated 5" IPS LCD screen with a 1000 nit LED backlight, ProRes and DNX capabilities, anamorphic desqueeze, and audio inputs in HDMI/analog formats, make the Ninja 5 an impressive, feature-packed monitor/recorder. Check the video out for even more info and footage, and please view the wide
by Mary Latvis · Posted
Take it all in with Tokina’s Cinema ATX 11-20mm PL-mount zoom lens, also available in EF, MFT, Sony E
7,973 Views· Posted
Join Jake Estes as he explores the Sony PXW-Z280 4K XDCAM Camcorder, a replacement of the highly popular PXW X200. The Z280 retains some of the features that made its predecessor great, and it adds even more powerful capabilities, such as UHD 4K at 59.94 4:2:2 (10-bit), face-detecting AF with single-face priority, and a USB port on the back of the camera for easily backing up to a flash drive. Keep watching for more details and
462 Views· Posted
Doug Guerra, from B&H, reviews the Sigma 105mm T1.5 Cinema Lens, a fast lens that renders incredibly shallow depth of field, optimized for shooting up to 8K. Watch the video for more features and footage taken with this powerful lens. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
6,536 Views· Posted
In this video, Rob reviews the RED Gemini, a 5K camera that features standard and low-light modes, both of which produce incredible image quality. Like other RED cameras, the Gemini is simple to use—watch and listen to the video for more features and footage taken with this powerful and versatile camera. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by John Craig · Posted
Billed as an IR night vision action camera, the Aurora IR Night Vision Camera, by SiOnyx, has a lot of expectations to live up to. When it arrived at my desk, I was cautiously optimistic. After playing with it for a little while, I was impressed, though I question whether I’d call it an action camera.
SiOnyx Aurora IR
by Shawn C. Steiner · Posted
Flexible tripods have become a big hit, thanks to Joby and the GorillaPod line. Now, these previously mobile-oriented and compact supports have grown and evolved into options for professionals. The GorillaPod Video PRO line is the latest in this expansion, using both their sturdy legs for mirrorless and DSLR cameras and combining them with a fluid head for more professional video applications. This series is starting out with the
by Shawn C. Steiner · Posted
Simply put, the DJI Mavic 2 is the best drone in its class. From top to tail, it excels in nearly every category of performance and design. In fact, the closest the Mavic comes to a true rivalry is between its two subclasses, the Pro and the Zoom. This