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by Bjorn Petersen · Posted
You might hear it all the time: "Protect your prints by storing them archivally" or "This paper is archival-rated for X years" or "Keep your film safe by storing it in an archival box." Whatever it is, it's easy to gather what you need to store your tangible photographic media in archival conditions to prolong its lifespan to the fullest and to ensure it looks just as good in several years as it does today.
What Is Archival?
The term "archival" is thrown around a lot in the world of storage and display methods for film and prints, but what
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Matt shares how the Nomatic McKinnon 35L Camera Backpack can store and organize his camera gear, including his camera, lenses, chargers, memory cards, laptop, and clothing.
0:00 - Intro
0:32 - The Backpack
0:54 - To Cube or Not to Cube?
1:29 - Packing Cameras & Lenses
4:06 - Packing Accessories
5:15 - Packing the Cube
6:36 - Packing the Mesh Pockets
7:36 - Laptop Sleeve
7:56 - Secret Compartment
8:33 - Clothing Compartment
9:08 - Final Thoughts
Sponsored by
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Sony Artisan Andrew Geraci shows viewers the best workflows for managing data of their high-resolution imagery. Andrew will be discussing all types of storage solutions that will aid any photographer or cinematographer in ensuring their work is quickly transferred and easily accessible.
0:00 - Intro
2:28 - About Andrew
6:42 - Why is data management so important?
10:36 - Best type of media to use
12:43 - Not all computers are created equally
14:51 - PCIe lanes
17:22 - I/O options for external drives
19:35 - Internal and external storage
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Westcott Top Pro Ian Spanier explains the transition from on-camera flashes to more powerful strobes and how using a small strobe can transform your portraits.
0:00 - Intro
3:43 - Photoshoot & FJ80 II flash overview
5:10 - Why the FJ80 II
12:46 - Using the FJ80 II on different rig setups
14:01 - FJ80 II triggers
15:50 - Photoshoot using the FJ80 II
25:10 - Westcott continuous lighting options
28:38 - Demo continues
30:25 - Image review
33:35 - White balance & color temp / using light meters
38:14 - Overpowering the sun with the FJ400
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Matt shares his tips for capturing high-resolution photos with any camera. Learn how to increase resolution and image quality using techniques like Pixel Shifting and Super Resolution. Join Matt in his home, and on the mountains, as he explains how to utilize these techniques, discussing gear, settings, software, and editing.
0:00 - In This Tutorial
0:39 - What Are Pixel Shifting & Super Resolution?
0:59 - Gear Setup
1:31 - Super Resolution Pros & Cons
2:40 - How to Take Pixel Shift Images
5:28 - Handheld Super Resolution Photos
6:50
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Landscape photographer Peter Baumgarten discusses his thought process when creating an image to help you better understand what your gear, settings, and composition choices can accomplish.
0:00 - Intro
1:13 - Why Landscape Photography?
3:38 - Be Prepared
7:01 - Understanding the Light
13:05 - Composition & Settings
24:44 - Gear
44:35 - Cloudscapes
55:36 - Focus Bracketing
1:02:00 - Shallow Depth of Field
1:11:24 - Include People
1:16:34 - Simplicity
1:21:09 - Q&A
by Zach Young · Posted
The aesthetics of street photography has evolved greatly over the years. On one side of the spectrum, you have the more “natural” look championed by icons like Henri Cartier-Bresson, William Klein, and Vivian Maier: no added light, no post-processing, no cropping, etc. Elsewhere, you have the innovators, the iconoclasts—artists like Bruce Gilden and Dina Litovsky—who regularly eschew the natural aesthetic by utilizing a
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Filters are an integral part of photography, but it can be confusing to know which filters to use, when to use them, and why you should even use them in the first place. Join Sony Alpha Ambassador Autumn Schrock as she shares her approach to filters for landscape photography so you can figure out what you might need before you buy.
0:00 - Today's Video
1:30 - Types of Lens Filter Formats
3:37 - Clear Filters
7:41 - Circular Polarizer
15:18 - Neutral Density Filter
21:03 - Neutral Density Polarizer
23:20 - Variable Neutral Density Filter
25:55
by Zack Young · Posted
So, your spouse has elected you official photographer of the family holiday party! Or maybe your boss volunteered you to shoot the office party? Or your kids put your name in the running as school party cameraperson. Regardless of the type of party you’ve been assigned (or volunteered) to photograph, here are some tips and tricks that will help you capture memories that will last a lifetime.
Right Gear for Your Holiday Party
As your party’s official
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Join Diego Rizzo and learn his five tips on photographing volcanoes, covering preparation, gear, focusing, settings, and more.
0:00 - Intro
0:18 - Weather & Prep
1:09 - How to Choose a Tripod
1:53 - Focusing & Exposing
3:33 - Exposure Time/Shutter Speed
4:23 - Drones
5:36 - Safety (Bonus Tip!)
6:57 - More from Diego
by Allan Weitz · Posted
For the longest time, comparing image quality between point-and-shoot cameras and full-frame cameras, or even APS-C format cameras, was a conversation you could have start to finish during the course of an elevator ride. Point-and-shoot cameras were convenient, but the detail and dynamic range of their smaller sensors never measured up to the detail and dynamic range you get from larger sensors. And then one day Sony introduced a new 1" format CMOS sensor, and BOOM! People started having second thoughts about slinging heavy camera bags over
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Want to up your portrait photography game? Lotta teaches you how to incorporate more interesting techniques in your next portrait photoshoot.
0:00 Intro
0:31 Filters
2:04 Props
3:08 Ambient Light at Night
3:54 What're Your Tips?
by Cory Rice · Posted
Using fast prime lenses to create razor-sharp portraits where the focus melts away like butter can be an addictive (and costly) pastime. The jump from an 85mm f/1.8 to an 85mm f/1.4 may seem minor on paper, but anyone who has used both lenses knows that the difference extends well beyond a few decimal points. This article is an homage to the top-tier primes designed for the most demanding portrait photographers. Hide your wallet before proceeding.
Photographs ©
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There are important tips to know before printing your own photos. Lotta shares the benefits and drawbacks to printing at home or at a printing studio. She will also share how to edit your photos for printing, how to choose a frame, and more.
0:00 - Why Print Photos?
0:34 - Methods
1:35 - At-Home Printing Pro's and Con's
2:01 - Which Printer to Use
2:33 - Preparation & Best Settings
3:55 - Photo Paper
5:05 - Using a Printing Service
5:30 - How to Find & Work with a Photo Lab
6:19 - How to Mount Your Print
8:15 - Metal or Aluminum
by Allan Weitz · Posted
When it comes to travel, landscape, and seascape photography, I always try to keep at least one long focal length lens in my bag for photographing subjects to which I either cannot get closer or—in the case of a Siberian tiger guarding her cubs—to which I have no business getting closer.
Photographs Ó Allan Weitz 2020
The definition of a long telephoto lens depends on whom you ask, not to mention what format camera they are using. For some, a 105mm lens is long. For others, it’s anything beyond 200mm or 300mm. For me, 300mm has always been the