The era of digital sensors has created a pervading fear of dust among photographers. Many shooters try not to change lenses except when they have to, and they pale at the thought of a gaping-open lens mount. But sometimes it's worth throwing caution to the wind. Often times I find the wrong way to use my equipment is the best way. Let me introduce you to the world of freelensing.
Camera always ready, Joe Josephs has compiled an expansive array of street shots—above as well as below ground. These images convey the city’s “all-too-human side, warts and all” as Joe likes to say. Novice as well as experienced street shooters will benefit by attending Joe’s street-photography workshop, in which he will discuss techniques and aesthetic issues related to capturing dramatic street images.
Great nature photographs don’t happen by chance. A blend of good light and a strong composition are keys to creating images that have impact and meaning. When layered with a natural moment, remarkable images are born from the photographer’s vision, combining anticipation and execution.
Retouching is a balancing act and an art. While you want to correct facial imperfections and blemishes, you also want to retain skin texture and maintain a realistic image. This presentation by Lindsay Adler will introduce you to the basic tools, techniques and programs used to retouch portrait and beauty images.
Why do certain photographs appeal to us so much while others do little to spark our interest? Sometimes it has to do with our emotional connection to the subject matter, but more often it has to do with human evolution and the way that we see.
To quote Kyle's Mom from South Park, "What, what, WHAT?! Have you gone mad, man?! There is no color in a black and white image!" Well no, there isn't, but there is a correct way that those colors should be converted and represented in a black and white image.
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