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by Luke Rollins · Posted
Godox has released a 220W RGB edition of its Litemons LA series lights, the Litemons LA200R RGB LED Monolight. Available in both black and white colorways, the new lights offer the same balance of power, size, and cost that makes the Litemons series a popular option for livestreaming, podcasting, shooting social media content, or building a home studio. Both colorways are also available in a travel kit with a carry bag.
by Luke Rollins · Posted
Godox is releasing an all-weather version of its powerful 1200W light panel, the KNOWLED P1200R Hard Pro RGB LED Light Panel. Rated IP65 dustproof and water-resistant, the P1200R Hard Pro is aimed at productions in need of the fixture’s raw power in challenging outdoor environments.
by Zack Young · Posted
It’s an exciting time to be lighting for video, as LED fixtures continue to get smaller, more powerful, and more affordable. The kind of dramatic, punchy lighting that used to only exist on Hollywood sets is now available for just about anyone with a camera and a dream. But these advancements can also lead to choice paralysis, as countless companies unveil hundreds of new products in the LED lighting space every year. Deciding which fixtures are worth a
by John-Paul Pale… · Posted
Datacolor has just released several color calibration products designed for a wide range of digital creatives, including those working in photography, videography, content creation, digital design, and more. Calibrating a monitor allows for a color-accurate starting point for editing, allowing users to express their creative vision, both digitally and in print.
Datacolor Spyder Essential and SpyderPro Advanced Colorimeters
First
by John-Paul Pale… · Posted
In today's age of ever-growing bit rates and resolutions, Angelbird adds to its CFexpress 2.0 arsenal with the introduction of the new AV PRO CFexpress 2.0 Type A SE Memory Card. Available in capacities of either 160GB or 330GB, these cards are designed for photographers and videographers looking to capture 8K raw, 4K, and 120 fps footage without dropping frames. It can also capture raw photos and image bursts,
by Zack Young · Posted
Enter the Sony BURANO 8K Digital Motion Picture Camera, Sony's newest jack-of-all-trades cinema camera that aims to combine the best features from the company's CineAlta, FX, and Alpha lines. Part of its versatility comes from the array of recording formats and resolutions it can capture, as well as a physical camera body that can accommodate a range of accessory options. So, what recording modes should you be using and how
by Zack Young · Posted
When the Sony BURANO was first unveiled last fall, the big question on everyone's mind was how it would compare to Sony's other popular camera lineups. After months of extensive testing, the consensus among filmmakers was that the BURANO is something of a Swiss Army knife, an innovative cine camera that combines the best features from Sony's CineAlta, Cinema Line, and Alpha series into a portable powerhouse that's perfect
by Zack Young · Posted
If you've been reading up on the Sony BURANO 8K Digital Cinema Camera, you've probably heard that it's the first camera to pair IBIS (in-body image stabilization) with PL-mount lenses. This is huge news for shooters who like to go handheld, as their favorite PL glass can suddenly be taken off the tripod without the dreaded micro-jitters and small wobbles that typically happen when people rely on their bodies to support
by Zack Young · Posted
by Gabby Bloch · Posted
For all of us avid fake readers out there, it’s imperative that we savor our precious time alone with an audiobook, whether on our commute to the office or in between moments of existential despair. So, let’s not mess around with crappy headphones. We deserve better.
What Makes a Good Audiobook Headphone?
It’s all about balance. If a headphone has too much bass, our narrator will sound like a dying walrus moaning in his last breath. On the other hand, if the headphone presents too much treble or sibilance, then every “S” that is uttered will
Posted
Canon EF 35mm f/1.4L II USM fans, rejoice! The legendary lens has finally received its RF upgrade with the new RF 35mm f/1.4 L VCM. The latest addition to Canon’s L-series lineup is 27% lighter than its EF equivalent, while maintaining a similar sharpness, character, and lack of chromatic aberration.
Canon has also announced the EOS C400 Cinema Camera and Cine-Servo 17-120mm T2.95-3.9 Lens;
by Zack Young · Posted
It’s not often we see camera companies release higher-cost, lower-resolution versions of existing models, but with FREEFLY, innovation and creativity take priority. Case in point, the newly announced Ember S2.5K camera, a costlier cousin of the popular Ember S5K. By cutting the resolution in half, the S2.5K can achieve astonishingly high frame rates—2.5K at 2277 fps, 2K at 2900 fps, and up to 3563 fps with a heavier crop.
by Zack Young · Posted
Despite the massive growth in the anamorphic lenses category over the past few years, most filmmakers still find themselves having to choose between lower-budget choices with imaging compromises or pricey picks that give a true widescreen feel. Blazar, previously known as Great Joy, continues to bridge that gap with reasonably priced anamorphics that can go toe-to-toe optically with higher-priced competition. Case in point, the new Cato series featuring a 2x squeeze factor and large format sensor coverage. Blazar also expanded its popular
by Zack Young · Posted
Venus Optics is following up its popular Laowa Ranger full-frame lens series with a new set of cine lenses designed for the S35 market. Announced ahead of NAB 2024, the Laowa Ranger S35 Cine Zoom Lens set
by Zack Young · Posted
SmallRig looks to continue their dominance of the video accessory space, announcing three new collaborations with prominent YouTube filmmaking influencers. The SmallRig x Potato Jet Tribex Hydraulic Carbon Fiber Tripod promises to be a professional, portable tripod capable of handling up to 11 lbs while providing one-step hydraulic height and positioning adjustments. The SmallRig X Caleb Pike