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Great photos, in any discipline, can result from infinite techniques, but in sports photography—at least in sports photojournalism—there is little room for the aesthete who chooses a slow approach or the kind that eschews the available camera functions that will increase the proverbial “hit rate.” In other words, sports photographers need to use all measures to get that decisive, well-composed, and most important, in-focus photograph. Thank goodness, therefore, for continuous focus tracking, a blessing for sports photographers everywhere.
It’s Food Photography Week here at B&H Photo, so our guests on this week’s B&H Photography Podcast are California-based food photographer Meika Ejaisi, and from her new studio in Boulder Colorado, Cherry Li of Cherry Food Photography. This isn’t the first food-centric show we’ve produced over the five-plus years we’ve been recording the
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On this episode of the B&H Photography Podcast, we are thrilled to help celebrate the first anniversary of Black Women Photographers. Founded in July 2020 by Polly Irungu, the mission of Black Women Photographers is to “disrupt the notion that it is difficult to discover and commission Black creatives.” And toward that goal, BWP is now a global organization of more than 600 members, and as an online directory, has become a home
There are many articles discussing macro photography and what you can do with a macro lens; however, I’d like to also consider some of the things you cannot do with a macro lens.
You cannot grind pepper for your meal, but you can spice up your food photography by incorporating macro close-up images. The unique depictions you can give food and recipe ingredients with a macro lens perspective are ideal for food photography. The textures of foodstuffs and the details we often miss with the eye are brought to life with macro lenses; they seem to
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Enter the retro-cool and featured-packed Nikon Z fc camera! Lovers and fans of Nikon are certainly familiar with the company’s rich history, and it is difficult not to get excited when the camera’s design team breaks out a brand-new digital camera with a look and feel that harkens back to the days of the Nikon film photography era and its line of 35mm cameras that set a photographic standard for decades. While it looks like it rolled fresh
The camera bag starts as an afterthought—something you get after you buy a camera and/or lenses, and for many, just about any camera bag will do the trick for them. But, when you get deeper into photography and expand your kit, the camera bag becomes an essential part of your everyday carry. There are many parallels between shopping for a camera bag and shopping for something like a pair of shoes—hundreds (maybe thousands?) of options,
Photographers are formed through myriad forces—formal schooling, technical mastery, or an empathetic connection to the people around them being just a few. This latter circumstance fueled the vision of photographer Clemens Kalischer and was likely seeded by a profound awareness of human nature he picked up as a child, observing his father at work.
Sometimes referred to as the invisible photographer, Kalischer possessed great empathy and a deep interest in the human condition. “He spent so much time with people when he photographed them, he was
Sports photography is a true test for cameras. Perhaps more than any photo discipline, shooting sports photography leaves you little opportunity for a second chance and demands that your camera works at peak efficiency. I’ll save the classic caveat that you can shoot any subject with any camera for another article, and while I encourage all photographers to start with the camera they have, there should be little argument that cameras with a fast burst rate, good buffer depth, fast and accurate autofocus, a compatible lineup of telephoto lenses
Over the years, we’ve had the opportunity to speak with some of the world’s greatest sports photographers, on the B&H Photography Podcast and for the Explora blog. For this year’s B&H Sports Photography Week, I’ve compiled a short list of my favorite sports photography articles and interviews.
Photograph © Zak Noyle
Peter Read Miller
In 2015, we had the
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Nikon has just announced the first macro lenses to join the Z-mount lineup: the NIKKOR Z MC 105mm f/2.8 VR S and NIKKOR Z MC 50mm f/2.8. Both lenses allow Nikon mirrorless shooters to achieve a 1:1 magnification ratio with native Z-mount lenses—no need to rely on the
We’ve all tried to photograph something up close. This small-scale world fascinates us all, whether it be a stunning flower or a bumble bee crawling about, but our cameras can’t seem to focus as close as we want. So, what is a struggling photographer to do?
There are several ways to do close-up, or "macro" photography, but the
The In-Sight Photography Project has provided photographic instruction and camera gear to rural youth in and around Brattleboro, Vermont, since well before the dawn of digital, making it the Grande Dame of Youth Photography not-for-profits. The organization’s pay-what-you-can motto, paired with its four-tier payment system, encourages community support while also insuring that no student is turned away.
For this fourth story in our series, we spoke with In-Sight’s executive director, Victoria Heisler, and program director A. Hanus, about the
Shallow depth of field (DOF) is one of the visual effects that many photographers seek in their everyday photographs. To accomplish this, there is the grail quest for lenses with larger and larger maximum apertures. In the world of macro and
When building a new mirrorless lens system like the Nikon Z system, camera manufacturers quickly learned that in order to get novice and seasoned pro photographers to switch to the new system, they needed to back up that system with premium optics quickly. Not only do they have to start producing topflight lenses, but they need to show a “lens roadmap” that gives